1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy  Related Paintings of John Constable :. | old sarum | A Lane near Flatford | Wolken-Studie | The Quarters behind Alresford Hall | Hadleight Castle |
Related Artists:
Harmen Hals
Herman, or Harmen Hals (1611, Haarlem - 1669, Haarlem), was a Dutch Golden Age painter. According to Houbraken he was the son of the painter Frans Hals and was like his brothers Jan and Frans II, good at music and painting. He was a member of the Haarlem Guild of St. Luke. According to the RKD he was the oldest son of Frans Hals, and spent most of his life in Haarlem, but is registered in Vianen from 1642-45, and in Amsterdam in 1645.
Aelbert Cuyp
1620-1691 Dutch Aelbert Cuyp Locations Painter and draughtsman, son of Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible. He became popular in the late 18th century, especially in England.
anders trulson
1874-1911 Anders Trulson, född 14 juli 1874 i Tosterup, död 23 augusti 1911 i Italien, var en svensk konstnär. Anders Trulson föddes i Tosterup, där fadern var kusk på ett gods. Han fick sin utbildning i Köpenhamn och Stockholm, och blev enligt flera en dansksvensk blandning. Han bodde flera år i Lund innan hans utlandsresor började 1905, bland annat till Paris och Bregge. Trulson dog 1911 bara 37 år gammal på resa i Italien. 1902 var han med och grundade Skånska konstnärslaget som tillsammans med Konstföreningen för södra Sverige var centrum för det skånska konstlivet. Skånes konststil och liv var till stor del utanför övriga Sveriges, inte minst landskapsmåleriet vilket var präglat av ett eget färgspel.